Why Chad still matters culturally and naturally.
Chad's natural heritage is at a global level. The Ennedi Massif, a sandstone plateau the size of Switzerland in the country's northeast, is one of the great geological theatres of Africa: the Aloba Arch is among the largest natural arches on Earth, the Guelta d'Archei is a permanent water hole at the bottom of a vertical-walled canyon where Saharan crocodiles still survive, and the rock-art galleries (cattle herders, giraffes, archers, hunters) extend in unbroken sequence from the Neolithic to the Islamic period. The Lakes of Ounianga, also UNESCO-listed, are a chain of eighteen Saharan lakes, some hypersaline, some fresh, fed by fossil aquifers and surrounded by red dunes, technically among the most remarkable hydrological systems on the continent. The Tibesti volcanic massif on the Libyan border rises to 3,415 m at Emi Koussi (Africa's highest Saharan peak) and remains effectively closed to civilian travel.
Culturally, Chad is home to over 200 ethnic groups speaking more than 100 languages. The Sao civilisation that flourished around Lake Chad from the 6th century BCE to the 16th century CE produced extraordinary terracotta sculpture now held in N'Djamena's National Museum. The Tubu (Toubou) of the northern Sahara are among the great desert peoples, austere camel-and-date pastoralists, related distantly to the Berbers, with their own non-Arabic, non-Berber language family. The Wodaabe Bororo Fulani in the Sahel hold variant Gerewol gatherings, the same male beauty-contest tradition documented in Niger, at unpredictable dates depending on rains. The Sara of the south are the largest single ethnic group and the country's Christian heartland. N'Djamena's music scene blends Arabic, Sahelian and African influences in a way unique on the continent.