Why Mauritania still rewards the trip.
Mauritania is one of the most singular destinations in Africa, and one of the least visited: pre-pandemic arrivals hovered around thirty thousand a year for the entire country. The reasons to come are concentrated and unusual. The four UNESCO ksars of the Adrar and Hodh, Chinguetti, Ouadane, Tichitt and Oualata, were among the most important caravan towns of the trans-Saharan gold-and-salt trade between the eleventh and seventeenth centuries. Chinguetti, considered the seventh holy city of Islam by some West African traditions, still keeps a half-dozen private family libraries holding manuscripts on astronomy, jurisprudence, medicine and Sufi poetry, hand-copied from Cairo and Andalusian originals seven hundred years ago and stored in dry desert air that has preserved them where Mediterranean libraries failed. Ouadane's ruined upper town spills down a sandstone shelf in a way that feels lifted from a Tarkovsky film. Tichitt and Oualata, far harder to reach, hold the country's most distinctive vernacular architecture: Tichitt's stone façades and Oualata's red-clay walls painted with white geometric bas-reliefs.
The Banc d'Arguin National Park, listed by UNESCO in 1989, is a 12,000-square-kilometre coastal wetland where the cold Canary Current meets the Sahara, one of the most important wintering grounds on earth for European and Arctic shorebirds, with two million birds present from November to March. The Imraguen people, perhaps four thousand strong, still fish from sail-powered lanches in cooperation with bottlenose dolphins that drive mullet shoals into the nets. The Adrar Plateau itself, the Terjit oasis with its palm grove and natural pools, the Eye of the Sahara (Richat Structure) crater visible from orbit, and the dunes around Chinguetti are simply spectacular Saharan landscape. And the Iron Ore Train remains the country's bucket-list adventure: an overnight ride atop open ore cars from Choum to Nouadhibou, twelve to twenty hours of cold dust and brilliant stars, free of charge to anyone who can climb up. Layer on top of this a deep griot music tradition (the tidinit lute, the ardin harp), Hassaniya poetry, and the legacy and continuing controversy around slavery, formally abolished in 1981, criminalised only in 2007, and still affecting an estimated tens of thousands of Haratine, and Mauritania becomes one of the most intellectually serious destinations in West Africa.